Cuban and Caribbean Studies Institute

Tulane University

Cuban Studies Bibliography

Books

  • El cartel cubano de cine. selección y prólogo de Jesús Vega. La Habana: Letras Cubanas, 1996.
    Location: H-T LAL: HT LAL: PN 1995.9 .P5 C377 1996
  • Ciclo nuevo cine cubano. Cine Club INBA. Mexico?: Instituto Nacional de Bellas Artes, between 1982 and 1985.
    Location: H-T LAL: PN 1993.5 .C8 C493 1982
  • Cine cubano: 30 años en revolución. editores, Belkis Espinosa, Jorge Luis Llopiz. Cuba? : Centro de Promoción y Estudio del Cine “Saul Yelin,” 1989?
    Location: H-T LAL: PN 1993.5 .C8 C495 1989
  • Cine cubano: selección de lecturas. compilación, Mario Piedra Rodriguez. La Habana: Editorial Pueblo y Educación, c1987.
    Location: H-T LAL: PN 1993.5 .C8 C494 1987
  • El cine silente en Cuba. Raul Rodriguez; edición, Sonia Maria Martinez Castillo. La Habana, Cuba: Editorial Letras Cubanas, 1992.
    Location: H-T LAL: PN 1995.75 .R64 1992
  • Cine y revolución en Cuba. Santiago Alvarez, et al. Barcelona: Editorial Fontamara, 1975.
    Location: H-T LAL: PN 1993.5 .C8 C5
  • La crítica en el IV Festival de Cine, Radio y Televisión. Conference: Festival de Cine, Radio y Televisión (4th : 1987 : Havana, Cuba) La Habana: Editorial Pablo de la Torriente, 1988.
    Location: HT Stacks: PN 1995 .F4518 1987
  • The Cuban Filmography, 1897 through 2001. Alfonso J. García Osuna. Jefferson, N.C.: McFarland & Co., c2003.
    Location: H-T LAL: PN 1993.5 .C8 G375 2003
  • The Cuban Image: Cinema and Cultural Politics in Cuba. Michael Chanan. London: BFI Pub.; Bloomington, Ind.: Indiana University Press, 1985.
    Location: H-T LAL: PN 1993.5 .C8 C48 1985
  • 10 años del nuevo cine latinoamericano. Teresa Toledo. [S.l.]: Verdoux: Quinto Centenario: Cinemateca de Cuba.
    Location: HT LAL: PN1993.5.L3 T65 1990
  • Dos filmes de Mariel. Madrid: Editorial Playor, c1986.
    Location: HT LAL: PN 1997 .E556 1986
  • Festival Internacional del Nuevo Cine Latinoamericano, La Habana, Cuba, 1979-1988. Ciudad de La Habana: Centro de Información Cinematográfica del ICAIC (Instituto Cubano del Arte e Industria Cinematográfica), 1988.
    Location: H-T LAL: PN 1993.5 .L3 F4 1988
  • Guía crítica del cine cubano de ficción. Juan Antonio García Borrero. Ciudad de La Habana, Cuba: Editorial Arte y Literatura, 2001.
    Location: H-T LAL: HT LAL: PN 1993.5 .C8 G37 2001
  • A Guide to Cuban Cinema. edited by Alan Adelman. Pittsburgh: Center for Latin American Studies, University Center for International Studies, Univ. of Pittsburgh, 1981.
    Location: H-T LAL: PN 1993.5 .C8 G84 1981
  • A Guide to Latin American, Caribbean, and U.S. Latino Made Film and Video. edited by Karen Ranucci and Julie Feldman. Lanham, Md.: Scarecrow Press, 1998.
    Location: H-T Reference: PN 1995.9 .L37 G85 1998
  • Indice de la revista Cine Cubano. Consejo Nacional de Cultura, Biblioteca Nacional Jose Marti. Vol. 1 (1979). La Habana: Editorial Orbe, 1979.
    [**Tulane owns most issues from 1961-1990 of Cine Cubano; check Library Catalog for details]
    Location: H-T LAL: PN 1993.5 .A3 C82 Index
  • Mediating Two Worlds: Cinematic Encounters in the Americas. edited by John King, Ana M. Lopez, Manuel Alvarado. London: BFI, 1993.
    Location: H-T LAL: PN 1993.5 .L3 M42 1993
  • Memories of Underdevelopment: The Revolutionary Films of Cuba. New York, Grossman Publishers, 1973.
    Location: H-T LAL: PN 1993.5 .C8 M9
  • New Latin American Cinema, I: Theory, Practices and Transcontinental Articulations; II: Studies of National Cinemas. Detroit, MI: Wayne State Univ. Press; 1997.
    Location: H-T LAL: PN 1993.5 .L3 N48 1997
  • La noticia, la ciencia, la crítica y el cine en televisión. Vicente González Castro. [La Habana, Cuba]: Editorial Pablo de la Torriente, 1987.
    Location: H-T LAL: HT LAL: [In Process as of 6-15-05; check Library Catalog]
  • La sala oscura. Mario Rodriguez Aleman. Ciudad de La Habana: Union de Escritores y Artistas de Cuba, c1982.
    Location: H-T LAL: PN 1995 .R62 1982

Articles & Book Chapters

  • “Another Cinema, Another World, Another Society.” Tomas Gutierrez Alea. Journal of Third World Studies. Spring 1994 v11 n1 p90(24).
    Location: [Not held by Tulane Libraries]
  • “The Buena Vista Social Club: The Racial Politics of Nostalgia.” Hernández, Tanya Katerí. [pp. 61-72] IN: Habell-Pallán, Michelle and Romero, Mary (eds.) Latino/a Popular Culture. NewYork, NY: New York UP; 2002. (book chapter)
    Location: H-T Stacks: E 184 .S75 L3554 2002
  • “Cine cubano, un siglo después/ciné cubain, un siècle après.” Fleites, Alex. Cinémas d’Amérique Latine, 1999; 7: 143-45.
    Location: H-T LAL: PN 1993.5 .L3 C56
  • Le cinéma cubain aprés la révolution/El cine cubano después la revolución.” Ricciarelli, Cecilia. Cinémas d’Amérique Latine. 2002; 10: 168-70.
    Location: H-T LAL: PN 1993.5 .L3 C56
  • “Coproducciones: una salida viable para el cine cubano/Coproductions: une possibilité pour le cinéma cubain.” Reloba de la Cruz, Xenia. Cinémas d’Amérique Latine. 2001; 9: 30-37.
    Location: H-T LAL: PN 1993.5 .L3 C56
  • “Critical Mass of Cuban Cinema: Art as the Vanguard of Society.” Quiros, Oscar; Screen. 1996 Autumn; 37 (3): 279-93.
    Location: H-T Stacks: PN1993 .S37
  • “Cuba: notes sur le cinéma de l’ICAIC.” Perez, Manuel. Cinémas d’Amérique Latine. 1996; 4: 76-82.
    Location: H-T LAL: PN 1993.5 .L3 C56
  • “Cuban Cinema: On the Threshold of Gender.” Benamou, Catherin. (book chapter) [pp 67-98] IN: Robin, Diana and Jaffe, Ira (eds.) Redirecting the Gaze: Gender, Theory, and Cinema in the Third World. Albany, NY: State U of New York Press; 1999.
    Location: H-T Stacks: PN 1995.9 .W6 R45 1999
  • “Cuban Cinema’s Political Challenges.” Paranaguá, Paulo Antonio. [pp.II: 167-90] ] IN: Martin, Michael T. (ed. and introd.); New Latin American Cinema, I: Theory, Practices and Transcontinental Articulations; II: Studies of National Cinemas. Detroit, MI: Wayne State Univ. Press; 1997. (book chapter)
    Location: H-T LAL: PN 1993.5 .L3 N48 1997
  • “Cuba’s Latin American Weekly Newsreel: Cinematic Language and Political Effectiveness.” Jorge Fraga. IN: The Social Documentary in Latin America. Julianne Burton, editor. Pittsburgh: University of Pittsburgh Press, c1990.
    Location: HT LAL: PN 1995.9 .D6 S57 1990
  • “Death is Not True: Form and History in Cuban Film.” Timothy Barnard. IN: Mediating Two Worlds: Cinematic Encounters in the Americas. edited by John King, Ana M. López, Manuel Alvarado. London: BFI, 1993.
    Location: H-T LAL & Women’s Center Library: PN 1993.5 .L3 M42 1993
  • “Film and Revolution in Cuba: The First Twenty-Five Years.” Burton, Julianne. [chapter: pp. II: 123-42] IN: Martin, Michael T. (ed. and introd.); New Latin American Cinema, I: Theory, Practices and Transcontinental Articulations; II: Studies of National Cinemas. Detroit, MI: Wayne State Univ. Press; 1997.
    Location: H-T LAL: PN 1993.5 .L3 N48 1997
  • “For Hollywood, Cuba Is Close But No Cigar.” Rex Weiner. Variety. Dec 18, 1995 v361 n7 p72.
    Location: HT Microforms & Newspapers
  • “From Transparent To Translucid: Cuban Filmmakers In 1990.” Isabel Arredondo. Latin American Literary Review. Jan-June 1997 v25 n49 p25(17).
    Location: HT Stacks: PQ7081.A1L35
  • “The Future’s Past: Re-Imaging The Cuban Revolution.” Jeffrey Skoller. Afterimage. March-April 1999 v26 i5 p13(3).
    Location: HT Stacks: TR640.A2
  • “Greater Cuba.” López, Ana M. [chapter: pp. 38-58] IN: Noriega, Chon A. and López, Ana M., (eds.) The Ethnic Eye: Latino Media Arts. Minneapolis: Univ. of Minnesota P; 1996.
    Location: H-T LAL: PN 1995.9 .L37 E84 1996
  • “Modernity, Masculinity and Imperfect Cinema in Cuba.” Daries, Catherine. Screen. 1997 Winter; 38 (4): 345-59.
    Location: H-T Stacks: PN1993 .S37
  • “Música y cine: breves reflexiones a finales de siglo/musique et cinéma: brèves réflexions en cette fin de siècle.” Vitier, José María. Cinémas d’Amérique Latine. 2000; 8: 82-86.
    Location: H-T LAL: PN 1993.5 .L3 C56
  • “No Mas Habermas, or … Rethinking Cuban Cinema in the 1990s.” Hess, John. Screen, 1999 Summer; 40 (2): 203-11.
    Location: H-T Stacks: PN1993 .S37
  • “On Cuban Film: A Brief History in Four Easy Lessons.” Hidalgo, Narciso J. Hopscotch: A Cultural Review. 2001; 2 (4): 108-15.
    Location: H-T Library: Online via Project Muse (restricted access)
  • “One Way Or Another: The Havana Film Festival And Contemporary Cuban Film.” Diana Agosta and Patricia Keeton. Afterimage. Sept 1994 v22 n2 p7(4).
    Location: HT Stacks: TR640.A2
  • “The Politics of Afro-Cuban Religion in Contemporary Cuban Cinema.” Martínez-Echazábal, Lourdes. Afro-Hispanic Review. 1994 Spring; 13 (1):16-22.
    Location: H-T LAL: PQ 7081 .A1 A36
  • “Restoration or Innovation? An Interview with Humberto Solás: Post Revolutionary Cuban Cinema.” Martin, Michael T. Film Quarterly. 2001; Spring; 54 (3): 2-13.
    Location: H-T Stacks: PN 1993 .H457
  • “Retrato de habaneras: notas sobre cierto cine cubano de los ochenta.” Miranda, Julio E. Cuadernos Hispanoamericanos: Revista Mensual de Cultura Hispanica. 1990 Feb.; 476: 35-44.
    Location: Howard-Tilton Stacks: AP 63 .C6697
  • “Revolution and Dreams: The Cuban Documentary Today.” López, Ana M. Studies in Latin American Popular Culture. 1992; 11: 45-57.
    Location: H-T LAL: F1401 .S79
  • “‘Transparent Women’: Gender and Nation in Cuban Cinema.” D’Lugo, Marvin. [chapter: pp. II: 155-66 ] IN: Martin, Michael T. (ed. and introd.); New Latin American Cinema, I: Theory, Practices and Transcontinental Articulations; II: Studies of National Cinemas. Detroit, MI: Wayne State Univ. Pres; 1997.
    Location: H-T LAL: PN 1993.5 .L3 N48 1997
  • “The World According to Plaff: Reassessing Cuban Cinema in the Late 1980s.” Blasini, Gilberto Moisés. [chapter: pp. 193-216] IN: Noriega, Chon A. (ed.) Visible Nations: Latin American Cinema and Video. Minneapolis, MN: University of Minn. Press.
    Location: H-T LAL: PN 1993.5 .L3 V58 2000
  • “World’s Largest Collection Of Latin American Films is in Cuban Cinemateca.” Todd McCarthy. Variety. March 12, 1986 v322 p89(1).
    Location: HT Microforms & Newspapers

LATEST SITE UPDATES

EVENTS

NEWS

All Events

Upcoming Events

Africana Studies brown bag series: Yoruba Gods in Brazilian Popular Music

View Full Event Description

On Thursday, October 18, join the Department of Africana Studies at Tulane University in welcoming Dr. Christopher Dunn for brown bag talk titled Yoruba Gods in Brazilian Popular Music at 2 PM in Norman Mayer Building, Room 118.

Dr. Dunn is a professor in the Spanish and Portuguese department at Tulane University. His research interests include Brazilian literary and cultural studies, popular music, and African diaspora studies.

The Africana Studies brown bag series for Fall 2018 will occur on the third Thursday of every month. For more information, email africana@tulane.edu.

Celebrate Caribbean culture and heritage during Caribbean Carnival of New Orleans

View Full Event Description

Bayou Bacchanal, the original Caribbean Carnival of New Orleans, is back for its 16th annual celebration of Caribbean culture and heritage. Presented by Friends of Culture, Bayou Bacchanal will include two days of Caribbean cuisine, dance, music and celebration.

World Wide Dance
Beginning Friday, November 2 stop by the newly-opened, Algiers based, Haitian restaurant Rendezvous, for World Wide Dance. This late-night dance party begins at 10:00 p.m. and doesn’t end until the final dancer clears the floor. Enjoy live sets by locally and regionally based, Trinidadian DJ Phil and DJ Spice. Admission is $10 in advance and $12 at the door and includes access to the World Wide Dance celebration. A cash bar and bites from Rendezvous will be available for purchase.

Bayou Bacchanal Parade and Party
After an evening of dancing and celebrating, rest up for the annual Bayou Bacchanal Parade on Saturday, November 3. Assembly begins at 11:00 a.m. and the parade takes off at noon from Harrah’s. Parade-goers are welcome to come dressed in traditional carnival attire while engaging, marching and dancing to the beats of Soca music along with Casa Samba throughout the French Quarter. The parade’s final destination will be at North Peters & Mandeville Street where the party will then transition to Crescent Park.

From 2:00 p.m. – 11:00 p.m. several Dancehall, Soca and Reggae performers will grace the Bayou Bacchanal stage for this daylong festival. Guests can expect live performances by local, national and international artists such as: Soca Artist Preacher, Pan Vibrations, Tigress of Trinidad & Tobago, and Mystic of Trinidad & Tobago.

Beats will be provided by DJ Spice and hosted by Lady Pepper. Authentic Caribbean foods, drinks and special merchandise will be available for purchase. Trini Lisa and Boswell’s will be among the official vendors for Bayou Bacchanal 2018. Fest-goers can expect Caribbean staples such as salt fish, curry goat and roti. Tropical drinks including ginger beer, passionfruit juice and Sorrel will also be available. Guests are also encouraged to dress in tradition Carnival attire for a chance to win a grand prize of $2000.

Admission to the Bayou Bacchanal fest is $15 in advance and $20 at the door. For more information on Bayou Bacchanal or Friend of Culture, visit their onsite information booth during the festival or click here.

Bayou Bacchanal Post Party
Closeout Bayou Bacchanal at Island Flavor Bar and Grill and enjoy tasty Caribbean bites, music and dancing. DJ Ray will be spinning beginning at 11:00 p.m. Celebrate the closing of Bayou Bacchanal with a bang!

Forging a New World: Books & Writing in Early Spanish America, 1492-1821

View Full Event Description

On Wednesday, November 14, the Latin American Library at Tulane University will host Dr. Hortensia Calvo, Doris Stone Director of the Latin American Library, for a talk titled, Forging a New World: Books & Writing in Early Spanish America, 1492-1821.

This presentation is part of the Tulane University Women’s Association’s Jane and Herbert Longenecker Lecture Series. The event is dedicated to María García Daly.