Cuban and Caribbean Studies Institute

Tulane University

Cuban Studies Bibliography

Books

  • El cartel cubano de cine. selección y prólogo de Jesús Vega. La Habana: Letras Cubanas, 1996.
    Location: H-T LAL: HT LAL: PN 1995.9 .P5 C377 1996
  • Ciclo nuevo cine cubano. Cine Club INBA. Mexico?: Instituto Nacional de Bellas Artes, between 1982 and 1985.
    Location: H-T LAL: PN 1993.5 .C8 C493 1982
  • Cine cubano: 30 años en revolución. editores, Belkis Espinosa, Jorge Luis Llopiz. Cuba? : Centro de Promoción y Estudio del Cine “Saul Yelin,” 1989?
    Location: H-T LAL: PN 1993.5 .C8 C495 1989
  • Cine cubano: selección de lecturas. compilación, Mario Piedra Rodriguez. La Habana: Editorial Pueblo y Educación, c1987.
    Location: H-T LAL: PN 1993.5 .C8 C494 1987
  • El cine silente en Cuba. Raul Rodriguez; edición, Sonia Maria Martinez Castillo. La Habana, Cuba: Editorial Letras Cubanas, 1992.
    Location: H-T LAL: PN 1995.75 .R64 1992
  • Cine y revolución en Cuba. Santiago Alvarez, et al. Barcelona: Editorial Fontamara, 1975.
    Location: H-T LAL: PN 1993.5 .C8 C5
  • La crítica en el IV Festival de Cine, Radio y Televisión. Conference: Festival de Cine, Radio y Televisión (4th : 1987 : Havana, Cuba) La Habana: Editorial Pablo de la Torriente, 1988.
    Location: HT Stacks: PN 1995 .F4518 1987
  • The Cuban Filmography, 1897 through 2001. Alfonso J. García Osuna. Jefferson, N.C.: McFarland & Co., c2003.
    Location: H-T LAL: PN 1993.5 .C8 G375 2003
  • The Cuban Image: Cinema and Cultural Politics in Cuba. Michael Chanan. London: BFI Pub.; Bloomington, Ind.: Indiana University Press, 1985.
    Location: H-T LAL: PN 1993.5 .C8 C48 1985
  • 10 años del nuevo cine latinoamericano. Teresa Toledo. [S.l.]: Verdoux: Quinto Centenario: Cinemateca de Cuba.
    Location: HT LAL: PN1993.5.L3 T65 1990
  • Dos filmes de Mariel. Madrid: Editorial Playor, c1986.
    Location: HT LAL: PN 1997 .E556 1986
  • Festival Internacional del Nuevo Cine Latinoamericano, La Habana, Cuba, 1979-1988. Ciudad de La Habana: Centro de Información Cinematográfica del ICAIC (Instituto Cubano del Arte e Industria Cinematográfica), 1988.
    Location: H-T LAL: PN 1993.5 .L3 F4 1988
  • Guía crítica del cine cubano de ficción. Juan Antonio García Borrero. Ciudad de La Habana, Cuba: Editorial Arte y Literatura, 2001.
    Location: H-T LAL: HT LAL: PN 1993.5 .C8 G37 2001
  • A Guide to Cuban Cinema. edited by Alan Adelman. Pittsburgh: Center for Latin American Studies, University Center for International Studies, Univ. of Pittsburgh, 1981.
    Location: H-T LAL: PN 1993.5 .C8 G84 1981
  • A Guide to Latin American, Caribbean, and U.S. Latino Made Film and Video. edited by Karen Ranucci and Julie Feldman. Lanham, Md.: Scarecrow Press, 1998.
    Location: H-T Reference: PN 1995.9 .L37 G85 1998
  • Indice de la revista Cine Cubano. Consejo Nacional de Cultura, Biblioteca Nacional Jose Marti. Vol. 1 (1979). La Habana: Editorial Orbe, 1979.
    [**Tulane owns most issues from 1961-1990 of Cine Cubano; check Library Catalog for details]
    Location: H-T LAL: PN 1993.5 .A3 C82 Index
  • Mediating Two Worlds: Cinematic Encounters in the Americas. edited by John King, Ana M. Lopez, Manuel Alvarado. London: BFI, 1993.
    Location: H-T LAL: PN 1993.5 .L3 M42 1993
  • Memories of Underdevelopment: The Revolutionary Films of Cuba. New York, Grossman Publishers, 1973.
    Location: H-T LAL: PN 1993.5 .C8 M9
  • New Latin American Cinema, I: Theory, Practices and Transcontinental Articulations; II: Studies of National Cinemas. Detroit, MI: Wayne State Univ. Press; 1997.
    Location: H-T LAL: PN 1993.5 .L3 N48 1997
  • La noticia, la ciencia, la crítica y el cine en televisión. Vicente González Castro. [La Habana, Cuba]: Editorial Pablo de la Torriente, 1987.
    Location: H-T LAL: HT LAL: [In Process as of 6-15-05; check Library Catalog]
  • La sala oscura. Mario Rodriguez Aleman. Ciudad de La Habana: Union de Escritores y Artistas de Cuba, c1982.
    Location: H-T LAL: PN 1995 .R62 1982

Articles & Book Chapters

  • “Another Cinema, Another World, Another Society.” Tomas Gutierrez Alea. Journal of Third World Studies. Spring 1994 v11 n1 p90(24).
    Location: [Not held by Tulane Libraries]
  • “The Buena Vista Social Club: The Racial Politics of Nostalgia.” Hernández, Tanya Katerí. [pp. 61-72] IN: Habell-Pallán, Michelle and Romero, Mary (eds.) Latino/a Popular Culture. NewYork, NY: New York UP; 2002. (book chapter)
    Location: H-T Stacks: E 184 .S75 L3554 2002
  • “Cine cubano, un siglo después/ciné cubain, un siècle après.” Fleites, Alex. Cinémas d’Amérique Latine, 1999; 7: 143-45.
    Location: H-T LAL: PN 1993.5 .L3 C56
  • Le cinéma cubain aprés la révolution/El cine cubano después la revolución.” Ricciarelli, Cecilia. Cinémas d’Amérique Latine. 2002; 10: 168-70.
    Location: H-T LAL: PN 1993.5 .L3 C56
  • “Coproducciones: una salida viable para el cine cubano/Coproductions: une possibilité pour le cinéma cubain.” Reloba de la Cruz, Xenia. Cinémas d’Amérique Latine. 2001; 9: 30-37.
    Location: H-T LAL: PN 1993.5 .L3 C56
  • “Critical Mass of Cuban Cinema: Art as the Vanguard of Society.” Quiros, Oscar; Screen. 1996 Autumn; 37 (3): 279-93.
    Location: H-T Stacks: PN1993 .S37
  • “Cuba: notes sur le cinéma de l’ICAIC.” Perez, Manuel. Cinémas d’Amérique Latine. 1996; 4: 76-82.
    Location: H-T LAL: PN 1993.5 .L3 C56
  • “Cuban Cinema: On the Threshold of Gender.” Benamou, Catherin. (book chapter) [pp 67-98] IN: Robin, Diana and Jaffe, Ira (eds.) Redirecting the Gaze: Gender, Theory, and Cinema in the Third World. Albany, NY: State U of New York Press; 1999.
    Location: H-T Stacks: PN 1995.9 .W6 R45 1999
  • “Cuban Cinema’s Political Challenges.” Paranaguá, Paulo Antonio. [pp.II: 167-90] ] IN: Martin, Michael T. (ed. and introd.); New Latin American Cinema, I: Theory, Practices and Transcontinental Articulations; II: Studies of National Cinemas. Detroit, MI: Wayne State Univ. Press; 1997. (book chapter)
    Location: H-T LAL: PN 1993.5 .L3 N48 1997
  • “Cuba’s Latin American Weekly Newsreel: Cinematic Language and Political Effectiveness.” Jorge Fraga. IN: The Social Documentary in Latin America. Julianne Burton, editor. Pittsburgh: University of Pittsburgh Press, c1990.
    Location: HT LAL: PN 1995.9 .D6 S57 1990
  • “Death is Not True: Form and History in Cuban Film.” Timothy Barnard. IN: Mediating Two Worlds: Cinematic Encounters in the Americas. edited by John King, Ana M. López, Manuel Alvarado. London: BFI, 1993.
    Location: H-T LAL & Women’s Center Library: PN 1993.5 .L3 M42 1993
  • “Film and Revolution in Cuba: The First Twenty-Five Years.” Burton, Julianne. [chapter: pp. II: 123-42] IN: Martin, Michael T. (ed. and introd.); New Latin American Cinema, I: Theory, Practices and Transcontinental Articulations; II: Studies of National Cinemas. Detroit, MI: Wayne State Univ. Press; 1997.
    Location: H-T LAL: PN 1993.5 .L3 N48 1997
  • “For Hollywood, Cuba Is Close But No Cigar.” Rex Weiner. Variety. Dec 18, 1995 v361 n7 p72.
    Location: HT Microforms & Newspapers
  • “From Transparent To Translucid: Cuban Filmmakers In 1990.” Isabel Arredondo. Latin American Literary Review. Jan-June 1997 v25 n49 p25(17).
    Location: HT Stacks: PQ7081.A1L35
  • “The Future’s Past: Re-Imaging The Cuban Revolution.” Jeffrey Skoller. Afterimage. March-April 1999 v26 i5 p13(3).
    Location: HT Stacks: TR640.A2
  • “Greater Cuba.” López, Ana M. [chapter: pp. 38-58] IN: Noriega, Chon A. and López, Ana M., (eds.) The Ethnic Eye: Latino Media Arts. Minneapolis: Univ. of Minnesota P; 1996.
    Location: H-T LAL: PN 1995.9 .L37 E84 1996
  • “Modernity, Masculinity and Imperfect Cinema in Cuba.” Daries, Catherine. Screen. 1997 Winter; 38 (4): 345-59.
    Location: H-T Stacks: PN1993 .S37
  • “Música y cine: breves reflexiones a finales de siglo/musique et cinéma: brèves réflexions en cette fin de siècle.” Vitier, José María. Cinémas d’Amérique Latine. 2000; 8: 82-86.
    Location: H-T LAL: PN 1993.5 .L3 C56
  • “No Mas Habermas, or … Rethinking Cuban Cinema in the 1990s.” Hess, John. Screen, 1999 Summer; 40 (2): 203-11.
    Location: H-T Stacks: PN1993 .S37
  • “On Cuban Film: A Brief History in Four Easy Lessons.” Hidalgo, Narciso J. Hopscotch: A Cultural Review. 2001; 2 (4): 108-15.
    Location: H-T Library: Online via Project Muse (restricted access)
  • “One Way Or Another: The Havana Film Festival And Contemporary Cuban Film.” Diana Agosta and Patricia Keeton. Afterimage. Sept 1994 v22 n2 p7(4).
    Location: HT Stacks: TR640.A2
  • “The Politics of Afro-Cuban Religion in Contemporary Cuban Cinema.” Martínez-Echazábal, Lourdes. Afro-Hispanic Review. 1994 Spring; 13 (1):16-22.
    Location: H-T LAL: PQ 7081 .A1 A36
  • “Restoration or Innovation? An Interview with Humberto Solás: Post Revolutionary Cuban Cinema.” Martin, Michael T. Film Quarterly. 2001; Spring; 54 (3): 2-13.
    Location: H-T Stacks: PN 1993 .H457
  • “Retrato de habaneras: notas sobre cierto cine cubano de los ochenta.” Miranda, Julio E. Cuadernos Hispanoamericanos: Revista Mensual de Cultura Hispanica. 1990 Feb.; 476: 35-44.
    Location: Howard-Tilton Stacks: AP 63 .C6697
  • “Revolution and Dreams: The Cuban Documentary Today.” López, Ana M. Studies in Latin American Popular Culture. 1992; 11: 45-57.
    Location: H-T LAL: F1401 .S79
  • “‘Transparent Women’: Gender and Nation in Cuban Cinema.” D’Lugo, Marvin. [chapter: pp. II: 155-66 ] IN: Martin, Michael T. (ed. and introd.); New Latin American Cinema, I: Theory, Practices and Transcontinental Articulations; II: Studies of National Cinemas. Detroit, MI: Wayne State Univ. Pres; 1997.
    Location: H-T LAL: PN 1993.5 .L3 N48 1997
  • “The World According to Plaff: Reassessing Cuban Cinema in the Late 1980s.” Blasini, Gilberto Moisés. [chapter: pp. 193-216] IN: Noriega, Chon A. (ed.) Visible Nations: Latin American Cinema and Video. Minneapolis, MN: University of Minn. Press.
    Location: H-T LAL: PN 1993.5 .L3 V58 2000
  • “World’s Largest Collection Of Latin American Films is in Cuban Cinemateca.” Todd McCarthy. Variety. March 12, 1986 v322 p89(1).
    Location: HT Microforms & Newspapers

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CIPR talk series Critical Issues in Democratic Governance to host political economist Dr. Katrina Burgess

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Join the Center for Inter-American Policy and Research and the Stone Center for Latin American Studies in welcoming Dr. Katrina Burgess as part of the fall speaker series Critical Issues in Democratic Governance, on Friday, November 16, in 110A Jones Hall. Dr. Burgess will give a talk titled Courting Migrants: How States Make Diasporas and Diasporas Make States.

The event is free and open to the public. Please RSVP to cipr@tulane.edu.

Katrina Burgess (Ph.D., Princeton University) is Associate Professor of Political Economy of Tufts University’s Fletcher School of Law and Diplomacy. She is author of Parties and Unions in the New Global Economy, which won the 2006 Outstanding Book Award for the best publication on labor issues granted by the Section on Labor Studies and Class Relations of the Latin American Studies Association, and co-editor with Abraham F. Lowenthal of The California-Mexico Connection. She has also published numerous book chapters, as well as articles in World Politics, Latin American Politics & Society, Studies in Comparative International Development, South European Politics and Society, Comparative Political Studies, Politica y gobierno, and International Studies Review. Dr. Burgess has also served as Assistant Director of the U.S.-Mexico Project at the Overseas Development Council in Washington, D.C. and Associate Director of the California-Mexico Project at USC in Los Angeles.

Patterns of migrant engagement in politics back home cannot be understood without examining the ways in which homeland states reach out to their migrants. Since states engaged in what can be called diaspora-making are unable to deploy many of the tools of rule within their borders, they are especially reliant on the cultivation of loyalty. The agents, motives, and loyalty-cultivation strategies of diaspora-making have important implications for whether homeland parties mobilize voters abroad, as demonstrated by the contrasts between Mexico and the Dominican Republic.

Teaching Cuban Culture & Society: A K-12 Summer Educator Institute in Cuba

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The Stone Center for Latin American Studies and the Cuban and Caribbean Studies Institute at Tulane University are proud to announce a two-week summer educator institute exploring the geography, culture and history of Cuba. For an educator, Cuba is rich with lessons to bring into the classroom. This program highlights the important historical and cultural connections between the United States and Cuba. Participants will explore key sites and meet local experts and artists who will provide unique insight for educators who teach such subjects as U.S./Latin American Relations, World Geography, World History, and Spanish among others. Come and visit the site of the historic Bay of Pigs, explore Milton Hershey’s sugar plantation and hear firsthand about the Cuban national literacy campaign from the teachers themselves.

More information coming soon!

Please email crcrts@tulane.edu or call 504.865.5164 for additional details.