Cuban and Caribbean Studies Institute

Tulane University

International Programs

Summer in Cuba 2015: Language, Culture, and Society
Havana | May 23 – June 20, 2015

The Cuban & Caribbean Studies Institute is proud to offer once again its summer study abroad program in Havana, Cuba in 2015. This four-week program provides the unique opportunity to earn six credits while exploring the sights and sounds of a nation and people that remain obscured behind political rhetoric and misinformation. Recent economic updates on the island have provoked a series of social and cultural transformations that have left Cubans and the entire world wondering what could be next for the island and the Revolution. Don’t miss the chance to witness some of these changes and challenges firsthand!

Tulane’s summer program is locally sponsored and supported by the University of Havana and its affiliate the Centro de Estudios Hemisféricos de los Estados Unidos (CEHSEU). Students stay in the Asociación Nacional de Agricultores Pequeños (ANAP) residence, which is within walking distance of the Malecón, the university, and several cultural venues. Earn six credits by taking a Cuban society and culture course (taught in English by Tulane faculty), and either a course on the socio-political history of the Cuban revolution (taught in English by University of Havana faculty), or a literature course on the Cuban short story (taught in Spanish at the University of Havana). In addition to field trips in Havana, there will also be group excursions to the historic cities of Trinidad and Cienfuegos, and trips to the Che Guevara monument in Santa Clara, Playa Girón (Bay of Pigs), Matanzas, and Varadero.

COURSES OFFERED:

  • LAST 3130 (required; 3 credits): Team-taught in English by the directors of the program, Professors Ana López and Carolina Caballero, Society and Culture of Cuba will explore current trends and issues in Cuban culture and society through readings, films, and lectures. The course includes a series of talks by prominent Cuban intellectuals and local field trips to important political and cultural sights throughout Havana.
  • HISL 3950 (3 credits): The History of Cuba: The Evolution of Cuban Nationalism is taught in English by instructors from CEHSEU provides the students with an overview of contemporary Cuban history in order to trace the formation of Cuba’s national identity and its effects on the island’s complex reality and current affairs.
  • SPAN 3130 (3 credits) -OR- SPAN 4130 (3 credits): This Spanish course on contemporary Cuban literature is taught through the Facultad de Artes y Letras at the University of Havana, and gives students a panoramic view of the major authors, texts, themes, and styles found in contemporary Cuban literature with a focus on the Cuban short story.

PROGRAM COST:
The cost of the 2015 program is $5,775. It includes six Tulane credits (transferable to other universities), shared room and two meals at day at the ANAP, medical insurance, airfare to/from Havana from designated city of departure*, airport transportation in Havana to/from residence, OFAC-licensed academic visa, and specialized tours and outings. Airfare to/from designated city of departure, one-night hotel stay in designated city of departure, incidental costs, and extra meals and expenses are not included in the program cost.

*Designated city of departure will either be Tampa or Miami.

Scholarships: The TULASO Scholarship is available to Tulane undergraduates applying to this program. For more information on this and other available scholarships, visit stonecenter.tulane.edu/summerprograms.

PROGRAM ELIGIBILITY:
Students interested in applying must be in good academic standing, have at least a current cumulative grade point average of 2.5, and have completed at least one semester of Spanish at Tulane University. Students who plan to take the Cuban Short Story course must have completed SPAN 3040 or equivalent. Non-Tulane students are welcome to apply to this program, but should confirm with their home university that their credits will transfer.
Please note: Due to current regulations, the United States Office of Foreign Assets Control only approves student travel to Cuba if students are (1) registered in a degree-seeking program and (2) the credits earned in Cuba count towards that degree. (i.e. You must be a current university student who will not have graduated on or before May/June 2015 to apply to this program. That does not include high school students, staff, or faculty from outside institutions.)

PROGRAM APPLICATIONS:
The application period for this program is now closed. Please check back next year!

Download a printable flyer for this program here.

For questions, please call 504.862.8629, or email to sclassum_at_tulane.edu.

View photos from the 2014 program here!

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Octavia Gallery Presents "Summer in Havana"

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Summer in Havana
July 2-25, 2015

This summer, Octavia Art Gallery is pleased to present new works by Cuban based artists. The 2015 installment offers a wide range of artistic styles, imagery, and influences, with works by the following artists.

Alex Hernández Dueñas, recently featured in Vanity Fair as one of the Cuban artists you should know, is a painter whose work investigates themes of status, privilege and hierarchical structures within society through images of pristine pools, manicured lawns, sleek homes and country clubs. Influenced by a wide range of artists, including David Hockney and Richard Diebenkorn, Dueñas's flattened, simplified and colorful handling of compositions creates atmospheres that are dreamlike and often times eerily void of human life.

Luis Enrique Camejo draws his inspiration from the transitory relationship between man and man's environment, particularly the urban environment. The movement and dynamism of the cityscape is captured through an over use of light, blurring, and dripping of his materials, not showing clarity but the instantaneous nature of the moment.

Karlos Perez is a good example of how recent contemporary Cuban painting has been shaping its own space. With a background in photography, video, and installation, Perez's paintings have blurred the order of the traditional discourse of art. His works are not "portraits" in the traditional sense, but rather the power of the images comes from their existential character.

JEFF, or José Emilio Fuentes Fonseca (JEFF), is a sculptor whose work gives the impression of simplicity while keeping the complexity hidden from view. Often working with the theme of childhood, he manipulates the language of children toward that of an adult. Threads of love, danger, and play are largely at work in his sculptures, which are also imbued with melancholy and nostalgia.

The Merger is a union of the artists Alain Pino, Mario Miguel González, Niels Moleiro. Their sculptures are greatly influenced by the current economic, political, and social state of Cuba. Using popular icons and tools for their work, they are able to distort them and adapt them to new circumstances in order to highlight issues in culture and society.

Frank Mujica's graphite drawings explore and enhance human observation in an unexpected way. The gesture within his marks give a realness and clarity to his works, while still maintaining a certain mystery and movement. Mujica's technique and medium shows a process that adjusts itself to the transient aspects of life.

Call for Papers: Tropical Exposures Conference

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The 2016 Tropical Exposures conference is now accepting abstracts through September 15, 2015. Click here to view or download the official Call for Papers.

Tropical Exposures welcomes proposals for papers that address any facet of Caribbean visual representation in photography, film, art, popular culture, and other media, as well as the interaction of word and image more generally. Scholars are also encouraged to present proposals that consider social and cultural shifts toward the increasing intermediality of representation in the Caribbean frame.

Papers may focus on one terrain, image-maker, or form of media, or employ comparative strategies. Papers may be in English, Spanish, French or Portuguese, though English is preferred. We anticipate creating an edited volume of expanded essays around the notion of Tropical Exposures, co-edited by Ana López and Marilyn Miller. We encourage participants to prepare abstracts and presentations with an eye to inclusion in a print publication. Papers might address some of the following tropics or questions in their myriad Caribbean contexts:

-Conditions of image production in the torrid zones
-Documentary film and the aims of full exposure
-Still life and the notion of static representation
-Visual literacy and lens-based scholarship
-Image and intellectual property
-Snapshots, clips, collages and other image fragments
-Icons of visual culture from Korda’s Che to Cabrera Infante’s Códac
-Ruins as sites of deterioration and inspiration
-Visual representation, race and post-race
-Caribbean images as ephemera
-Realisms, surrealisms, hyperrealisms
-Museums, biennales, and other sites of collective visual consumption
-Code-switching between media
-Virtual and interactive visual systems
-Word and Image studies in and on the Caribbean
-Facades
-Censorship and the Image
-Moving pictures and sentiment
-Patronage, connoisseurship, and institutional support
-Captions
-Image saturation and contamination
-Interiority and exteriority
-Fair use of the Caribbean image
-Tourism and other circuitous systems
-New languages and theories of visual technique and critique

Please send a proposal and 250-word abstract by September 15, 2015 to <ccsi@tulane.edu>, including the abstract as an attachment to the email. Please include the title of your paper, your name (and the names of any co-presenters), institutional affiliation, mailing address, phone number, and email address. We welcome pre-constituted panels. If submitting a panel for consideration, please include a top sheet with panel title, participant names and a brief abstract of the panel topic in addition to the individual paper proposals.

Notification of acceptance to the conference will be made by October 1, 2015.

For updated information on the conference, location and arrangements, visit the Tropical Exposures page on the Cuban & Caribbean Studies website.

Tropical Exposures: Photography, Film, and Visual Culture in a Caribbean Frame

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Tropical Exposures: Photography, Film, and Visual Culture in a Caribbean Frame
March 10-12, 2016
Tulane University
New Orleans, LA

We offer our conference as a forum in which to peruse and absorb the visual turn in contemporary inquiry from the unique vantage points of the Caribbean, circum-Caribbean and Caribbean diasporas. We conceive the tropical exposure as a frame for representing the region’s strengths and vulnerabilities and for questioning the interaction of Antillean sensibilities with a plethora of images and mediascapes. Our invited keynote speakers include photographer Virginia Beahan and artist Francisco Crespo, whose work appears on this page.

Tropical Exposures welcomes proposals for papers that address any facet of Caribbean visual representation in photography, film, art, popular culture, and other media, as well as the interaction of word and image more generally. Scholars are also encouraged to present proposals that consider social and cultural shifts toward the increasing intermediality of representation in the Caribbean frame.

Conference Updates:
Tropical Exposures is now accepting proposals. Please see the Call for Papers page for more information. Proposals are due by September 15, 2015.