Cuban and Caribbean Studies Institute

Tulane University

"Revolutionary Cuba: Memory, Culture and Politics" - A Title VI-A UISFL Meeting

February 19th, 2010

Location
Tulane University
New Orleans, LA

Downloadable Registration Form
See below for full Registration Information.

The Title VI-A Undergraduate International Studies and Foreign Language (UISFL) Project Directors‘€™ Meeting – “Revolutionary Cuba: Memory, Culture and Politics”

This symposium is co-sponsored by the U.S. Department of Education and the Stone Center for Latin American Studies, Tulane University.

Note: This event is only open to Undergraduate International Studies and Foreign Language program grantees.

KEYNOTE ADDRESS
Ned Sublette: Musician, Author, Independent Scholar

Ned Sublette, who served as a Rockefeller Humanities Fellow at Tulane University and the Stone Center for Latin American Studies from 2004-2005, is the author of the recently published book The Year Before the Flood which chronicles Sublette’s experience of living in New Orleans during the year prior to Hurricane Katrina. He is also the author of The World that Made New Orleans: From Spanish Silver to Congo Square (2008). Sublette’s range of musical experience is unusually broad, ranging from original musicological field work in New Mexico, to conservatory study in classical guitar and composition, to aggressive loud-guitar bands, to cutting-edge Latin music. In 1990, he traveled to Cuba for the first time and was inspired to co-found Qbadisc, the first American record label dedicated to marketing contemporary Cuban music in the U.S. He was soon recognized as a major U.S. advocate for Cuban music, introducing American audiences to Cuban artists. His book on Cuban music, Cuba and Its Music: From the First Drums to the Mambo, was published in 2004.

PANEL DISCUSSION

“Architecture & the Revolution”
John Loomis: Architect

Loomis’ multidisciplinary career spans architecture, teaching, scholarship, and writing. He holds a B.A. with Distinction in Art History from Stanford University and a Master of Architecture degree from Columbia University. He is a licensed architect registered in New York where he lived and worked for fifteen years and was an associate professor of architecture at the City University of New York. His book, Revolution of Forms, Cuba ‘s Forgotten Art Schools, examines the convergence and collision of architecture, ideology, and culture in 1960s Cuba through the architectural design for the Escuelas Nacionales de Arte. This book prodded the Cuban government to commit to the preservation and restoration of these works of architecture, and has received an award from the World Monuments Fund. It is also the basis for the operatic work in progress by Charles Koppelman Revolution of Forms. John’s other activities involving Cuba have been chairing the 2002 ACSA International Conference ‘€œArchitecture, Culture, and the Challenges of Globalization – Havana /La Habana‘€ and as a member of the 2002 California State Business Delegation to Cuba. His honors and awards include a World Monuments Fund Certificate of Significant Accomplishment, Honors from the XII Bienal de Arquitectura de Ecuador, an NEA Award for Superior Design, and an AIA Education Award. He has been a Loeb Fellow at the Harvard Graduate School of Design and a Visiting Scholar at the Getty Research Institute.

Communication, Film & Politics
Ana López: Director of the Cuban & Caribbean Studies Institute, Senior Associate Provost, and Associate Professor of Communication, Tulane University

A long-standing faculty member of the Stone Center, Ana M. López became the director of the Cuban and Caribbean Studies Institute in Fall 2000. She is also an Associate Professor in the Communication Department and Associate Provost of the university. She holds both an M.A. in Communication and Theater Arts and a Ph.D. in Communication Studies from the University of Iowa. Her scholarship and publications are focused on Latin American film, media, television, and popular culture. She has also worked extensively with Latino cultural production in the U.S. Her work has been widely published in film and Latin American studies journals and she is the co-editor of the volumes Mediating Two Worlds (BFI, 1993), The Ethnic Eye: Latino Media Arts (University of Minnesota, 1996), and the three-volume Encyclopedia of Latin American Culture (Routledge, 2000). As director of the Cuban and Caribbean Studies Institute, she oversees the Summer in Cuba program, the Summer in the Dominican Republic program, and academic and cultural programming aimed at promoting a true Cuban and Caribbean presence on Tulane‘€™s campus. López will be discussing the movie Coffea Arabiga (1968, Nicolás Guillén Landrián) and the history of both the “high point” of the Cuban documentary as well as its complex political valences.

Visual Imagery of the Revolution
Guadalupe García: Assistant Professor of History, Tulane University

Lupe García is a recent addition to the Department of History at Tulane, joining the faculty after spending two years as an assistant professor at the University of Central Florida. She received her M.A. in Latin American Studies from California State University and her Ph.D. from the University of North Carolina at Chapel Hill. García specializes in late-colonial and early-modern Latin American history, with a particular focus on urban history, the Caribbean and Cuba. Her research interests include race and ethnicity in urban spaces, border identities in Latin America, and social revolution. García is currently working on her first book project tentatively entitled ‘€œBeyond the Walled City: Race and Exclusion in Colonial Havana.‘€ The manuscript offers a comprehensive analysis of urbanization in colonial Havana and explores the ways in which racial ideologies and black colonial subjects shaped and reshaped the urban environment. She is also working on a collaborative book project on the visual iconography of revolutions.

EXHIBIT

Newcomb Gallery of Art
Polaridad Complementaria

Developed by the Centro de Arte Contemporáneo Wifredo Lam, Havana, Polaridad Complementaria offers audiences the opportunity to become acquainted with the island‘€™s current and upcoming artistic talent. The more than 50 works of painting, drawing, sculpture, photography, video and installation art provide a sense of the serious aesthetic and conceptual concerns that characterizes Cuban art today. The 27 artists presented here are mainly young artists who have attained international recognition. The majority of these artists have taken part in fairs and biennials abroad and all have exhibited in Europe, Latin America and were featured in the 2009 Havana Biennial. Several have exhibited in the United States, including René Peña, Abel Barroso, Aimeé García, Yoan Capote and Roberto Fabelo.

Diverse in medium and ideology, the artists featured in Polaridad Complementaria understand the power of their art to address a wide range of social issues. Curator Margarita Sánchez pays particular attention to the works that illustrate the artists‘€™ capacity to connect the local reality to global concerns and universal human issues. Often compared to American photographer Robert Mapplethorpe, René Peña explores the relationship between individuals within society and the struggle for their own identity. Abel Barroso carves three-dimensional pieces using wood and various printing methods to create a conversation about technology and the third-world. From Zulueta, Cuba, Duvier del Dago takes it one step further combining drawing with handmade 3D design examining the unattainable, whether it be the material or the ideal. Other artists include Juan Carlos Alom, Lidzie Alvisa, Luis Enrique Camejo, Ricard Elías, Adonis Flores, Aimée García, Glenda León, Douglas Pérez, Sandra Ramos, Fernando Rodríguez, Ángel Ramírez, René Francisco Rodríguez Olazábal, Lázaro Saavedra, Ludmila Velasco, Nelson Arellano, and Reinerio Tamayo. From simplistic to intricately fabricated, these artists create a narrative of Cuba today.

UISFL

For more information visit the website of the U.S. Department of Education‘€™s Office of Postsecondary Education‘€™s International Education Programs Service.

Registration Information
Note: Pre-Registration runs through January 22, 2010. After the 22nd, full registration fees are required for attendance.

There are several ways in which to register for the Project Directors’ Meeting.

To pay by credit card:
  • Online Registration – Click the “Register Online” button at the top or bottom of this page and fill in the required information to submit your application directly to the Stone Center.
  • Email Registration – Download the “Downloadable Registration Form” from the top or bottom of this page and fill in and save the required information and email the completed form to rtsclas@tulane.edu.
  • Registration by Mail – Download the “Downloadable Registration Form” from the top or bottom of this page and fill in the required information and mail your registration form with credit card information to the address below.
To pay by check:
  • Online Registration – Click the “Register Online” button at the top or bottom of this page and fill in the required information (with the exception of credit card information) to submit your application directly to the Stone Center. Mail your check separately.
  • Email Registration – Download the “Downloadable Registration Form” from the top or bottom of this page and fill in and save the required information (with the exception of credit card information) and email the completed form to rtsclas@tulane.edu. Mail your check separately.
  • Registration by Mail – Download the “Downloadable Registration Form” from the top or bottom of this page and fill in the required information (with the exception of credit card information) and mail the completed form and the check.

All mail (checks and/or registration forms, depending on your chosen form of registration) should be sent to:

Stone Center for Latin American Studies
Attn: Title VIA Project Directors‘€™ Meeting
Tulane University
100 Jones Hall
New Orleans, LA 70118

Downloadable Registration Form

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Workshop and panel discussion of Azul at the Southern Rep Theatre

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The Cuban and Caribbean Studies Institute at Tulane University, in collaboration with the Southern Rep Theatre, are proud to announce two events in celebration of the reopening of the Southern Rep Theatre and the spring premiere of the play Azul written by Christina Quintana, a New York-based writer with Cuban and Louisiana roots, and Estefanía Fadul, a Colombian-born, New Hampshire-raised, New York City-based director and producer. In this evocative new play, lifelong New Yorker Zelia struggles to center herself after the loss of her Cuban-born mother. As Zelia digs into her mother’s legacy, she learns of her tía-abuela, the great-aunt who remained in Cuba for the love of another woman. Echoes of the past inform Zelia’s own relationship with her wife and her struggle to place herself between worlds. A workshop with Christina Quintana will take place on Thursday, March 14, 2019 at 4:00 PM in the Greenleaf Conference Room (100A Jones Hall). There will also be a Panel Discussion before the play at the Southern Rep Theatre on Saturday, April 6, 2019.

The 13,000-square-foot former St. Rose de Lima Church on Bayou Road has given Southern Rep Theatre a permanent home, something it had lost since leaving Canal Place. The history of the project and more information about the theatre space may be found in the New Orleans Advocate article Southern Rep finds new home in former church.

Southern Rep Theatre will be showing Azul beginning March 27 continuing through April 14, 2019. Group tickets will be available for classes or student organizations. Tickets will be available at a reduced price for students, educators and young professionals at the following prices:
  • All student rush tickets are $10 at the door with ID, plus box office fees = $13 (subject to availability)
  • All teacher tickets are available in advance or at the door (subject to availability) for $25 plus fees
  • All under-35 tickets (“young professionals”) are available in advance or at the door (subject to availability) for $25 plus fees

For more information about tickets, please contact Kaylene Torregrossa, Patron Services Coordinator at boxoffice@southernrep.com.

Presented in partnership with the Saints & Sinners Literary Festival, a project of the Tennessee Williams/New Orleans Literary Festival

2019 Global Read Webinar Series: Diversity in children's literature for the classroom

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This spring, the World Area Book Awards (Américas Award, Africana Book Award, Middle East Book Award, South Asia Book Award, and the Freeman Book Award) will sponsor a free 60 minute webinar on a book recognized by one of the awards and facilitate a discussion with the author on how to incorporate the book into the classroom.

The 2019 Global Read Webinar Series will focus on the theme diversity in children’s literature. Each webinar will feature a presentation by an award-winning author with discussion on how to incorporate multicultural literature into the classroom. The books are appropriate for students in grades 7 – 12. Please read along with us this spring as we explore the world through these award-winning books. We encourage all readers to join in on the conversations each month and ask the author your own questions live.

Be sure to join the conversation with our webinar hashtag #2019ReadingAcrossCultures.

To register and learn more information about the Spring 2019 series, please visit:
internationalizingsocialstudies.blog

Webinar Schedule

January 22, 2019
Middle East Book Award
The first webinar of the series is co-sponsored by the Center for Contemporary Arab Studies at Georgetown University and the Middle East Outreach Council. The webinar will explore the book, The Map of Salt and Stars by Jennifer Joukhadar, winner of the 2018 Middle East Book Award for Youth Literature. The Map of Salt and Stars is part cartography, part poetry, and part call to action. The gripping narrative interweaves the journeys of two strong and intelligent female protagonists: Nour, a Syrian-American girl escaping the violence of the civil war, and Rawiya, a 12th-century girl who dresses as a boy to become apprentice to the famous mapmaker al-Idrisi. Beautifully written descriptions of Nour’s synesthesia help us understand her experiences in new ways.

February 15, 2019
Africana Book Award
This month’s book award is sponsored by the Africana Book Award. Please join us in learning more about the book, When Morning Comes by Arushi Raina. This fictionalized account of a student uprising that began in Soweto, South Africa, on June 16, 1976, unfolds through the first-person narratives of four young adults from different backgrounds whose lives intersect. An African student, Zanele, secretly organizes the protest against the Afrikaans Medium Decree Act, which required the use of English and Afrikaans (“the language of the oppressors”) in schools. Her apolitical friend Thabo heads a local gang, extorting money from an Indian store owner, whose daughter Meena, is sympathetic to the students. Meanwhile, Jack, a white Afrikaner, meets, befriends, and comes to love Zanele.

March 20, 2019
Américas Book Award
We will explore the book, Lucky, Broken Girl by Ruth Behar a 2018 Honorable mention Américas Book and winner of the 2018 Pura Belpré award. In this unforgettable multicultural coming-of-age novel – based on the author’s childhood in the 1960s – a young Cuban-Jewish immigrant girl is adjusting to her new life in New York City when her American dream is suddenly derailed. Ruthie’s plight will intrigue readers and her powerful story of strength and resilience, full of color, light, and poignancy, will stay with them for a long time. Additional support generously provided by Florida International University, Tulane University, University of Florida, University of Texas at Austin and the University of Utah.

April
Freeman Book Award
Join the Freeman Award for an evening with author Alan Gratz and his book, Grenade. It’s 1945, and the world is in the grip of war. Hideki lives on Okinawa, an island near Japan. When he is drafted to fight for the Japanese army, he is handed a grenade and told: Don’t come back until you’ve killed an American soldier. Ray, a young American Marine, has just landed on Okinawa. This is Ray’s first-ever battle and all he knows is that the enemy is everywhere. Hideki and Ray each fight their way across the island, surviving heart-pounding clashes and dangerous attacks. But when the two of them collide in the middle of the battle, the choices they make in that single instant will change everything.

May 8, 2019
South Asia Book Award and picture books from all book awards
The South Asia Book Award highlights the work of Mitali Perkins with her work, You Bring the Distant Near. Five girls. Three generations. One great American love story. Ranee, worried that her children are losing their Indian culture; Sonia, wrapped up in a forbidden biracial love affair; Tara, seeking the limelight to hide her true self; Shanti, desperately trying to make peace in the family; Anna, fighting to preserve her Bengali identity.

All sessions are free and open to the public. All times listed refer to Eastern Standard Time (EST). Sponsored by the Consortium of Latin American Studies Programs, the South Asia National Outreach Consortium, the Middle East Outreach Council, and African Studies Outreach Council, and The National Consortium for Teaching about Asia.

Teaching Cuban Culture & Society: A K-12 Summer Educator Institute in Cuba

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APPLICATION DEADLINE EXTENDED: MARCH 29, 2019
Cost: $3300

Now, in its fifth year, the Stone Center for Latin American Studies and the Cuban and Caribbean Studies Institute at Tulane University are proud to announce the return of our annual two-week summer educator institute exploring the geography, culture and history of Cuba. For an educator, Cuba is rich with lessons to bring into the classroom. This program highlights the important historical and cultural connections between the United States and Cuba. Participants will explore key sites and meet local experts and artists who will provide unique insight for educators who teach such subjects as U.S./Latin American Relations, World Geography, World History, and Spanish among others. Come and visit the site of the historic Bay of Pigs, explore Milton Hershey’s sugar plantation and hear firsthand about the Cuban national literacy campaign from the teachers themselves. In collaboration with The Hershey Story, The Museum on Chocolate Avenue.

Fill out the online APPLICATION here, due March 29, 2019. In addition, supplemental materials are also needed by March 29th in order for application to be considered complete.

Applicants also have the option to fill out and submit an Adobe PDF version of the APPLICATION. Please submit this application and the supplemental materials via email to crcrts@tulane.edu by March 29th, 2019.

Additional materials needed:
  • Two letters of recommendation (please make sure to have at least one recommendation letter from a colleague at your school) Please email your recommenders the PDF above. They submit via email the complete recommendation letter.
  • Copy of Passport
  • Sample lesson plan
  • $500 program deposit

THE PROGRAM INCLUDES:

  • Lodging at Casa Vera (double occupancy)
  • At least 1 meal a day (at Casa Vera and on excursions)
  • Transportation to/from airport to residence (if you arrive on time)
  • Medical insurance: Each participant will be covered for the entire program length by a travel health insurance policy.
  • Group tours and excursions, with associated transportation

THE PROGRAM DOES NOT INCLUDE:

  • Airfare to/from Miami: approx. $300-$600
  • Visa: $50-$100 depending on airline
  • Checked luggage ($25) + Overweight baggage: This constitutes anything in excess of maximum allowed luggage weight (50lbs), both going and returning from Cuba.
  • Communication: Internet and long distance/international calls
  • Additional meals (1 a day, snacks)
  • Taxi/ground transportation: Participants are responsible for expenses incurred getting around town during free time.
  • Admission to museums, events, etc.: Participants will be responsible for these expenses unless they are part of itinerary.
  • All materials and personal expenditures
  • Loss/Theft Travel Insurance: Please note only travel medical insurance is included in program. If you would like additional coverage (including insurance for loss of baggage, emergency cash transfers, etc.), it is recommended that you purchase additional insurance.

APPLICATION DEADLINE: MARCH 29, 2019

Please email crcrts@tulane.edu or call 504.865.5164 for additional details.