Cuban and Caribbean Studies Institute

Tulane University

Artist Talk: Tania Bruguera

May 7th, 2016
11:00AM

Location
Newcomb Art Museum

Pelican Bomb, in partnership with the Newcomb Art Museum and the Cuban & Caribbean Studies Institute at Tulane University, hosts a talk with internationally renowned artist Tania Bruguera at the Freeman Auditorium in Tulane’s Woldenberg Art Center.

For this lecture, Bruguera speaks about her politically motivated practice, including “#YoTambienExijo (I Also Demand),” where she attempted to put a microphone at Revolution Square in Havana in 2014. She had invited people to express their visions for Cuba without censorship, but, before this performance, she was detained and had her passport confiscated by the Cuban government. One of the leading political and performance artists of her generation, Bruguera researches ways in which art can be applied to everyday life. Her long-term projects have been intensive interventions on the institutional structure of collective memory, education, and politics. Continuing her focus on the promise and failure of the Cuban Revolution, Bruguera will open INSTAR, the Instituto de Artivismo Hannah Arendt, in Havana in September 2016. A residency, think tank, and workshop space, INSTAR aims to use performance art as a channel to open avenues for freedom among the general Cuban population.

Recognized as one of the 100 Leading Global Thinkers by “Foreign Policy” magazine and shortlisted for the 2016 #Index100 Freedom of Expression Award, Bruguera is a 2015 Herb Alpert Award winner, a Hugo Boss Prize finalist, a Yale World Fellow, and the first artist in residence in the New York City Mayor’s Office of Immigrant Affairs. In 2013, she was part of the team creating the first document on artistic freedom and cultural rights with the United Nation’s Human Rights Council. Her work has been exhibited at Documenta, the Venice Biennale, the Tate Modern in London, the Solomon R. Guggenheim Museum in New York, and the Van Abbemuseum in Eindhoven, among others. She lives and works between New York and Havana.

Her work “The Francis Effect” is currently on view in New Orleans as part of “False Flags,” a group exhibition curated by Noah Simblist, at Pelican Bomb Gallery X (1612 Oretha Castle Haley Boulevard). First presented in 2014 at the Guggenheim, the performance exists in the guise of a political campaign that requests the Pope grant Vatican citizenship to all immigrants and refugees around the world. Visitors can add their voice to Bruguera’s petition before and after the artist talk and at “False Flags,” on view through May 29.

RSVP and invite your friends on Facebook.

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Latin American Graduate Oraganization (LAGO) 2018 Conference: Call for Proposals

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The Latin American Graduate Organization will be hosting its 2018 Latin American Studies Conference titled Thinking of the Future: Expanding the possible in the Americas (Pensando en el porvenir: Expandiendo lo posible en las Américas) February 23 – 25, 2018, at Tulane University, in New Orleans, Louisiana.

This year, the conference topic is meant to challenge academics and activists to move beyond critiques and recommendations of how to address modern days issues, and instead articulate a vision of and for the future.

The LAGO Conference welcomes all disciplines and all approaches, as long as the project attempts to grapple with the idea of building something better. This is a Latin American Studies Conference, but creative writers, journalists, artists, performers, organizers, lawyers and healthcare providers as well as graduate students and other academics are welcome. Proposals are accepted in Spanish, Portuguese, Haitian Creole, and English.

Deadlines: Abstracts of papers and projects are due November 25, 2017. Abstracts of papers or project descriptions must not exceed 300 words.

Please contact lago.tulane@gmail.com with questions. For more information, visit the official conference website.